Legend of the Fist: The Return of Chen Zhen 6.3 9135 Tujuh tahun setelah kematian tampak dari Chen Zhen, yang ditembak setelah menemukan siapa yang bertanggung jawab atas kematian gurunya (Huo Yuanjia) dalam bahasa Jepang yang diduduki Shanghai.
Running time106 minutesCountryHong KongChinaLanguageCantoneseMandarinJapaneseBudget¥120 millionBox office¥136 millionLegend of the Fist: The Return of Chen Zhen is a 2010 Hong Kong directed and produced by, and starring as, a role made famous by in the 1972 film. The film is a sequel to the 1994 film, which starred as Chen Zhen.
For Legend of the Fist: The Return of Chen Zhen began in November 2009 and ended in early February 2010; shooting took place in Shanghai, China. The film was shown out of competition during the opening night of the,. The film was released in Chinese theatres on 21 September 2010 and two days later in Hong Kong on 23 September 2010.
Main article:In the film, Donnie Yen's character disguises himself as a masked vigilante (based on the 's sidekick ) to stop the Japanese from assassinating people. Director mentioned that since played both Chen Zhen (in the 1972 film ) and Kato (in the 1960s television series ), Legend of the Fist: The Return of Chen Zhen is a tribute and dedication to Lee.
Release Legend of the Fist: The Return of Chen Zhen was released theatrically in Hong Kong on 23 September 2010. It was further announced that the film will be released to theatres in the United States in its original, uncut international version by on 22 April 2011.
Thus, a total of 10 minutes of non-fighting scenes will be included.Box office The film grossed ¥65 million and ranked first in the box office during the first week of its theatrical run in China. Despite so, its total gross rose to only ¥136 million a month later. Donnie Yen was unhappy with the film distributors because many scenes were removed (about a total of 10 minutes of non-fighting scenes), and he commented on his that the film's overall gross would not exceed ¥200 million. However, producers Andrew Lau and Gordon Chan think that the film will still express what they want and gross well in other countries.
Reception Legend of the Fist: The Return of Chen Zhen has been praised for its action scenes and Donnie Yen's performance, and received mostly mixed reviews.As per negative reviews, gave the film two stars out of five, stating that the film 'only comes alive when showcasing Yen's flamboyant fight choreography, glimpsed far too seldom – the longeurs in between the snappy scraps are sloppily written, and the clumsy Chinese nationalism is tedious.' Gave the film two stars out of five finding the plot to be confusing. Gave the film a mixed review referring to the film as 'a popcorn movie of epic proportions' and that 'one expects more from producer Gordon Chan and director Andrew Lau'.
On, the film received a 48% 'rotten' rating based on 33 reviews.Other reviews commented that the film is not about Chen Zhen, but a Hollywood-style; a combination of,. Director responded that a Hollywood-style superhero film is what people want to see, and he thinks that a 6:4 ratio of Hollywood style to traditional style is just right for the film.
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See also. 23 January 2010. Retrieved 15 August 2011.
8 March 2012 at the. 4 April 2009. Retrieved 15 August 2011.
16 November 2009. Retrieved 15 August 2011. ^. Archived from on 23 November 2009. Retrieved 17 November 2009. 23 February 2010.
Archived from on 26 April 2010. Retrieved 29 March 2010. Archived from on 31 May 2010. Retrieved 27 May 2010.
22 September 2010. Archived from on 25 September 2010.
Retrieved 22 September 2010. Archived from the original on 19 January 2011.
CS1 maint: unfit url. Brown, Todd (29 June 2010). Screen Anarchy. 27 October 2010. Archived from on 1 February 2011.
Retrieved 15 August 2011. ^.
28 September 2010. Retrieved 15 August 2011.
Archived from on 19 February 2011. Retrieved 8 February 2011. Lowry, Andrew (5 December 2010). Retrieved 6 March 2011. Brooks, Xan (2 December 2010). Retrieved 6 March 2011. Senjanovic, Natasha (15 October 2010).
Retrieved 6 March 2011. 20 September 2010.
Retrieved 15 August 2011.External links. on. at. at.
Chen Zhen, a Chinese engineering student in Kyoto, who braves the insults and abuse of his Japanse fellow students for his local love Mitsuko Yamada, daughter of the director, returns in 1937 to his native Shangai, under Japanse protectorate -in fact military occupation- after reading about the death of his kung-fu master Huo Yuan Jia in a fight against the Japanese champion Ryuichi Akutagawa. While overcoming suspicion and ambition within the kungfu school, Chen exhumes his master to prove Hou's defeat was the result of poisoning. Both nationalities make the case a test of honor, so Chinese and Japanese pride are at stake when it culminates in Chen's final epic duel against the ruthless, undefeated Japanese general Fujita. Fist of Legend, IMHO, is the best Jet Li movie to date, and among the best martial arts movies ever made. A darker, more serious film than the bulk of Li's work, it shines in both story and action.
Reminiscent of OOIC in tempo and, to a lesser degree, tone, Fist of Legend surpasses its better known predecessor in intensity and elegance. Using minimal wires, the fight scenes are absolutely breathtaking. What they lack in wire-fu acrobatics and superhuman theatrics, they more than make up for in precision, creativity, believability and plotline relevance.
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Three of my all time favorite kung fu fight scenes are in this single movie. While still a well told story, there is more than enough kung fu for even the most die hard. We simply don't get to see Jet Li fight like this anymore. Jet Li, as always, is phenomenal, and his opponents are both skilled and artfully characterized.
His serious portrayal of Chen Zhen far surpasses his Jackie Chan-esque comedic roles, yet retains a vulnerability not found in Wong Fei Hung. While originated by Bruce Lee, Chen Zhen was a role made for Jet Li. The plot (as I'm sure you know) is derived from the classic Fists of Fury, but the depth and characterization of this rendition far surpasses the original.
The political and racial turmoil surrounding the characters is more capably written and tastefully portrayed, never subtracting from the action. All in all, a top notch effort, and the best blend of storytelling and kung fu I've encountered.